{"id":1300,"date":"2016-12-16T19:13:10","date_gmt":"2016-12-17T00:13:10","guid":{"rendered":"https:\/\/ancperu.org\/ancperu\/?p=1300"},"modified":"2022-10-04T12:36:35","modified_gmt":"2022-10-04T17:36:35","slug":"plateros-y-saberes-andinos","status":"publish","type":"post","link":"https:\/\/ancperu.org\/ancperu\/plateros-y-saberes-andinos\/","title":{"rendered":"Plateros y saberes andinos"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:hsla(var(--awb-color5-h),var(--awb-color5-s),var(--awb-color5-l),calc( var(--awb-color5-a) - 97% ));border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_4_5 4_5 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1 sm-text-align-center\" style=\"text-align:left;font-size:26px;line-height:var(--awb-typography2-line-height);letter-spacing:var(--awb-typography2-letter-spacing);text-transform:var(--awb-typography2-text-transform);color:var(--awb-color6);font-family:var(--awb-typography2-font-family);font-weight:var(--awb-typography2-font-weight);font-style:var(--awb-typography2-font-style);\"><p>El arte orfebre en los siglos XVI-XVII<\/p>\n<\/div><style type=\"text\/css\">@media only screen and (max-width:1024px) {.fusion-title.fusion-title-1{margin-top:-10px!important; margin-right:0px!important;margin-bottom:30px!important;margin-left:0px!important;}}@media only screen and (max-width:640px) {.fusion-title.fusion-title-1{margin-top:10px!important; margin-right:0px!important;margin-bottom:10px!important; margin-left:0px!important;}}<\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"font-size:39px;margin-top:-10px;margin-right:0px;margin-bottom:30px;margin-left:0px;\"><h2 class=\"title-heading-left sm-text-align-center fusion-responsive-typography-calculated\" style=\"margin:0;font-size:1em;letter-spacing:-1px;color:var(--awb-color4);--fontSize:39;line-height:var(--awb-typography1-line-height);\">Luisa Mar\u00eda Vetter Parodi<\/h2><\/div><div class=\"fusion-text fusion-text-2 sm-text-align-center\" style=\"text-align:left;font-size:17px;\"><p><strong>Presentaci\u00f3n<\/strong><\/p>\n<p>AQUILLAS, TUPUS, KEROS y diferentes ornamentos de las iglesias coloniales fabricados por diestras manos han suscitado la admiraci\u00f3n de muchos y han motivado diversos e interesantes estudios. Sin embargo, son pocos los que se han interesado por los orfebres que los materializaron, por c\u00f3mo los fabricaron y qu\u00e9 t\u00e9cnicas emplearon. Este es precisamente el prop\u00f3sito del libro que nos ofrece Luisa Vetter Parodi, es decir, analizar el papel del platero indio en los Andes durante la \u00e9poca colonial de los siglos XVI y XVII. Luisa Vetter ha enfocado el tema desde el aspecto tecnol\u00f3gico sin descuidar los aspectos socioculturales. Es as\u00ed que este estudio se propone, en primer lugar, estudiar al platero indio para indagar sobre su estatus social en la sociedad colonial, y sobre su organizaci\u00f3n y condiciones de trabajo. En segundo lugar, se preocupa por la interacci\u00f3n entre las t\u00e9cnicas orfebres nativas y las tra\u00eddas por los plateros europeos, pregunt\u00e1ndose sobre los mestizajes, las influencias, las continuidades y los cambios.<\/p>\n<\/div><div class=\"_df_book df-lite\" id=\"df_1406\"  data-title=\"plateros-y-saberes-andinos\" _slug=\"1406\" wpoptions=\"true\" thumb=\"https:\/\/ancperu.org\/ancperu\/wp-content\/uploads\/2022\/08\/Libro-000002.png\" thumbtype=\"bg\" ><p class=\"df-raw-loading\">Please wait while flipbook is loading. 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Sin embargo, son pocos los que se han interesado por los orfebres que los materializaron, por c\u00f3mo\" data-link=\"https:\/\/ancperu.org\/ancperu\/plateros-y-saberes-andinos\/\"><h4 class=\"tagline\" style=\"color:var(--awb-color7);\">Comparte esta publicaci\u00f3n<\/h4><div class=\"fusion-social-networks sharingbox-shortcode-icon-wrapper sharingbox-shortcode-icon-wrapper-1\"><span><a href=\"https:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fancperu.org%2Fancperu%2Fplateros-y-saberes-andinos%2F&amp;t=Plateros%20y%20saberes%20andinos\" target=\"_blank\" rel=\"noreferrer\" title=\"Facebook\" aria-label=\"Facebook\" data-placement=\"top\" data-toggle=\"tooltip\" data-title=\"Facebook\"><i class=\"fusion-social-network-icon fusion-tooltip fusion-facebook awb-icon-facebook\" style=\"color:var(--awb-color3);\" aria-hidden=\"true\"><\/i><\/a><\/span><span><a 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